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Distance in Aikido or maai isn't a measurement. It's a relationship. And it must be adaptable. Let's dive in.
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In today's video, I want to talk about how distance is dynamic, not static and not defined. I also want to talk about poor distance and how it creates panic. And then the third thing is just the opposite of that point, which is how good distance can help cultivate calm. Here we go. So
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first of all, distance, as I said, is not
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a number.
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You can't say that for
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Shomenuchi Iriminage you need to be 3.27. Meters from the attacker. No. What if he's got long arms? What if he's got short arms? What if she's short? What if she's tall? So it's a relationship, and you have to build a sense for it. And how do you build a sense for it?
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Train and train and train and train.
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Hey sorry to interrupt the video, but some of you have been asking how you can get a copy of my book. The teacher. The book includes a wide range of topics, including from horseback riding to budo, the Japan experience and returning home building intuition, attracting new students to aikido, aikido and nonviolence. Leading by example women in Aikido. Arrogance.
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Saying no to homogenization in aikido, Aikido and distance teaching, body alignment and more and more. So if you haven't purchased a copy of the book and you would like to just head to lia-suzuki.com/book or use
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the link in the YouTube description below. It's available in English and it's even available in Italian. Actually, that's just on Amazon.
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And the book has. Let me show you a little bit of this book.
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a photo of me, when I first started, can you see it as it's showing up
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Some photos of my teacher, Takeda Shihan
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my first teacher,
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Bill Gleason sensei, in Boston. And, some of you might
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recognize. That's Gary Small sensei taking ukemi there.
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more casual setting with myself and Takeda Shihan back in the 80s. Hence the crazy hair. Another one of my favorite photos of Takeda Shihan.
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one of my favorite photos of Yamaguchi sensei.
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There I am, teaching a seminar at my dojo in Hollywood.
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Just a regular photo shoot, actually, from a regular class.
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Teaching in Hollywood dojo.
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Oh. Wow.
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my friend, Brandon Ishisaka sensei. I believe that's me training with his daughter, who now I think is, like 16 years old. Anyway, she's super cute, And she's doing great.
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She's still training.
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if you haven't gotten the book and you'd like to get one, just look in the description below this video and there's a link there that you can click on to order your copy. Now let's get back to the video.
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let's say that, you train with, with Chris and Chris has really long arms, but then he's just coming back from a shoulder injury. So when he does, shomenuchi he’s a little bit more contracted than usual. He's not as stretched out. So all of a sudden you've got to have a different distance.
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When you're training with Chris, who you've been training with for years. So this is it's fluid. It's fluid. It is not a fixed measurement. It changes moment to moment. It changes week to week. And it's influenced by circumstances such as coming back from an injury. As I mentioned. It can also be influenced by intent. When a beginner comes at you with shomenuchi oftentimes they're kind of restricted.
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And as they get more experience, they stretch out more. Have you noticed that?
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it is a sense or a feeling. It's not a calculation. So train and train and train, please. Then the other point.
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Why is this important? Well, poor distance can create a bit of a panic, right? So if you’re too close and then somebody reaches out with a strike, then you feel rushed.
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All of a sudden you have to deal with this thing. You're just reacting too far. You have to reach out of your center, right? Or you feel like you can't enter enough. You can't get a long enough. Step. Also, if it's too far, then oftentimes we end up pushing that person. Once we do make our entrance, then we end up pushing.
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So the timing is off.
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if it's too close, too far to close, whatever it is. But the poor distance creates kind of a panicky feeling and a reactive feeling.
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If you have good distance, it will help you create calm and over time, good distance helps cultivate calm so that you can
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summon up calm in situations where you normally wouldn't be calm.
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when you've got exactly the right distance, then you have this feeling that you have more time. It's really amazing.
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You also have the feeling that you have options more than if you have
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bad mai or distance. And so movement becomes a little bit more simple.
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If you've been watching my videos, you've probably noticed that I sometimes use Shoto or Shortsword. I find that it helps students drop their shoulders, stop pushing and really feel the technique.
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Right now I have a limited number of these Lia Suzuki Signature Shoto available. They're made in Japan from premium Japanese white oak. They're engraved with my signature, and they're really beautifully balanced. Because of the lumber shortage in Japan. I was only able to get a small batch of them. So once these are gone, that's it for the time being.
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So if you'd like one, click the link below to reserve yours during the checkout process. You'll be prompted to let me know which seminar you'll attend, and then I'll bring it right to you. Now let's get back to the video.
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if you have the perfect mai and then you have the perfect entry. So that's to perfect things. It's not always easy to do that. But if you nail those and let's say that you have perfect entry for irimi and now you're standing right here, right here next to me, behind me.
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Then who would argue that that's some great options if you're right here behind this shoulder or right here behind this shoulder, and close, you've got great options right there. So it's so important
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to cultivate a sense, develop a sense for maai or distance. How to do this
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Train and train and train and train.
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Also, I'm a big proponent for training with people who's Aikido you want to, copy
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and then also sometimes train with people who you just don't even know. That takes you out of your comfort zone. So chase down those people that,
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you want to become like.
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And then
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if somebody else gets them before you do as their next partner, well, then choose somebody. And you don't know any of the people around you. Great, great. Train with them. Takes you outside of your your comfort zone. So seminars are a great way to do this. Of course, training in your own dojo where you have, the ability to experiment with people that you do know and you feel safe with,
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that's so valuable as well.
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But then also going to seminars and training with people you don't know is also so valuable. So please do that.
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Distance or maai is one of the hardest things to learn without the person to person connection.
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you can watch some videos of people who just always seem to nail the distance. I they're just so good. They're always in the right place at the right time. You can watch those videos and gain something from it. But,
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it's extremely difficult to get it without in-person training.
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I really recommend that you
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first of all, go to your own dojo. Minimum three days per week. Can you do that? Does your dojo offer classes three days per week? I hope so. Anyway, that's like where the magic starts. If you want to train with me. By the way, I'll be teaching in the UK and, Ireland in June, and, I'll be teaching in Germany and a couple other places in Europe in September.
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I teach in the USA. Just click the link below
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for details on my seminar schedule. So anyway, in conclusion,
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I want to mention again that one of the hardest things to learn, in my opinion, is maai or distance. And it's
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very, very, very difficult to learn remotely. So with videos and things like that. So get to the dojo, get on the mat train.
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Let me know how it goes. So whatever challenges that you're having
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with distance and my training. Let me know in the comments below. I do read every comment, by the way. I don't have somebody else doing that for me. Looking forward to seeing you soon. Hope to get to train with you in person soon. Thanks for tuning in.
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Bye bye.