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Many people feel like they're behind in their training, but aikido progress unfolds on a different timeline. And the good news is that it's exponential. Let's dive in.
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The first thing to remember is that integration takes time. So to integrate and embody the principles of aikido and even just the movement, it takes time. The nervous system needs repetition and repetition over time, and this is why attendance is so important. Steady attendance is so important. Not going when you feel like it. Going every Tuesday, Thursday, Saturday or every Monday Wednesday for whatever your schedule is.
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Stick to it
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then this understanding will mature slowly, so you might not even understand what you're doing at the time, right? But what I advise people is to find a
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sensei or sempai whose aikido you really like,
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and whose aikido. You would be excited if your aikido were exactly like theirs.
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Choose that person and then do everything the way that they're doing.
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And if they give you some advice, follow their advice, all right. And don't worry about whether it makes sense to you. I know a lot of people really hate that phrase. In Aikido, you know, just train train for ten years and then think about it. Yes and no. If it's somebody whose aikido is just incredible, then yes.
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Hey sorry to interrupt the video, but some of you have been asking how you can get a copy of my book. The teacher. The book includes a wide range of topics, including from horseback riding to budo, the Japan experience and returning home building intuition, attracting new students to aikido, aikido and nonviolence. Leading by example women in Aikido. Arrogance.
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Saying no to homogenization in aikido, Aikido and distance teaching, body alignment and more and more. So if you haven't purchased a copy of the book and you would like to just head to lia-suzuki.com/book or use
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the link in the YouTube description below. It's available in English and it's even available in Italian. Actually, that's just on Amazon.
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And the book has. Let me show you a little bit of this book.
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a photo of me, when I first started, can you see it as it's showing up
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Some photos of my teacher, Takeda Shihan
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my first teacher,
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Bill Gleason sensei, in Boston. And, some of you might
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recognize. That's Gary Small sensei taking ukemi there.
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more casual setting with myself and Takeda Shihan back in the 80s. Hence the crazy hair. Another one of my favorite photos of Takeda Shihan.
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one of my favorite photos of Yamaguchi sensei.
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There I am, teaching a seminar at my dojo in Hollywood.
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Just a regular photo shoot, actually, from a regular class.
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Teaching in Hollywood dojo.
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Oh. Wow.
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my friend, Brandon Ishisaka sensei. I believe that's me training with his daughter, who now I think is, like 16 years old. Anyway, she's super cute, And she's doing great.
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She's still training.
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if you haven't gotten the book and you'd like to get one, just look in the description below this video and there's a link there that you can click on to order your copy. Now let's get back to the video.
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Analyze it later.
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copy that person whose Aikido you admire.
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of course, if it's a person with your own body type and temperament, then that's really perfect.
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If you really like this person's aikido and they're your size and your temperament, who you're really lucky to have all of that in front of you. So anyway, the understanding behind these things matures slowly.
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As you continue then in this direction, you're going to meet some plateaus. Your progress when you first start Aikido, the first month or two,
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if you go to every class and you have a good teacher,
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Progress should feel like
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steady upward,
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trajectory.
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But if you continue, then you can congratulate yourself when you finally hit a plateau.
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that's how to reframe the plateau. I, I feel like I'm not making progress. I'm just,
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on a plateau. Congratulations. When you get to your first plateau,
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it means that you've gotten past that real awkward initial beginner stage.
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If you've been watching my videos, you've probably noticed that I sometimes use Shoto or Shortsword. I find that it helps students drop their shoulders, stop pushing and really feel the technique.
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Right now I have a limited number of these Lia Suzuki Signature Shoto available. They're made in Japan from premium Japanese white oak. They're engraved with my signature, and they're really beautifully balanced. Because of the lumber shortage in Japan. I was only able to get a small batch of them. So once these are gone, that's it for the time being.
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So if you'd like one, click the link below to reserve yours during the checkout process. You'll be prompted to let me know which seminar you'll attend, and then I'll bring it right to you. Now let's get back to the video.
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give it time. The integration of these things, or the embodiment of these things takes time.
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So keep training. And by the way, I suggest a minimum three times a week. That's really where the magic happens twice a week. Maybe you can maintain your level. It's difficult to impossible to actually have breakthroughs and epiphanies and
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real progress if you're only training twice a week.
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the other point that I want to bring up is that rushing your progress can create bad habits.
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And what I mean is that
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a lot of people confuse collecting techniques for making progress. I know all these techniques.
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How well do you know them?
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I remember, you know, when I lived in Japan, there were there were months on end where we basically just did theme and variation on ikkyo for months, and then we would finish with either, okay, throw your partner 20 times, shihonage or sometimes Koko Nage 20 times. Go ahead. But the rest of the class, the whole hour or 90 minutes
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was Ikkyo
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And, some nights we'd have ikkyo and Iriminage Shomenuchi Ikkyo, Shomenuchi Iriminage theme and variation, theme and variation, theme and variation.
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and all these different variations were so fascinating to me. And then even without the variations, you change partners. Oh, now I'm training with this person. They're shorter than me. Oh, that feels so different.
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This person is, like, way taller than me. Oh, that feels different again. So there's a lot to be said for not worrying about collecting a big variety of techniques. It's fun. It's fun to have to try all kinds of different techniques, but don't be afraid to, to just really sink your teeth into one. For a while we were doing Sutemi Waza. over and over and over.
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So much Sutemi was a for for a bunch of months there. So
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don't think that collecting techniques is
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equal to progress. It's not. It's a whole different thing. It's fun. You might be making progress as you collect these other techniques or you might not. Doesn't necessarily mean you're making progress just because you know a whole lot of techniques.
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The other thing that happens or can happen if you're rushing your progress,
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you can end up skipping the foundation. So again, you're like, I want to learn this technique. I want to learn that technique. I want to learn this cool move, let that cool move. Think about the foundation, the principle behind different classical techniques
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and really, really go deep into them.
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when you rush your progress, or you try to artificially create progress, a lot of times you can just be accumulating tension in your body and your mind, of course, too. It's it always goes together. So just get to the dojo and just train and train and train and train. Try to train with everybody in the dojo.
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And let your body absorb all of these different experiences. Don't get too analytical. All right.
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the third point that I want to go into is that
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a deep understanding of techniques and principles is built layer by layer.
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for those of you who don't know, I
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lived and trained in Japan, for
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almost ten years. And so I was training with my sensei weekly, and he was quite an innovator. He still is quite an innovator.
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so there was always something new and my senpai encouraged me. Just forget, every time that you finish a class, forget so that you can learn a new right.
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So I didn't even have time really to kind of take something, digest it, absorb it. And they assured me, don't worry, your body is already doing that. And it's really true. It really is true. Your body's like a filter, so you put some stuff into it, and then some of it just goes through and keeps on going. You let it go other stuff, the stuff that works for you will stick.
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So that that stuff that works for you will stick. And if you keep showing up to the dojo, keep training. And if you get some resistance from your partners so that you get that immediate feedback, you will filter out what you need to keep and what you don't need to keep. So.
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For me, in the last 30 years since coming back to the USA and only getting to train with my teacher like once a year or so, what has amazed me is the number of times that I'll be in my dojo
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training with my students, and I get a flash of something that we did in Japan in 1992,
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and I try it and I go, oh, oh, maybe that's what sensei was working on.
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Maybe that's what he was showing, a technique that I've been doing since 1992, or a variation of some technique is usually the case, and suddenly I gain some new insight into that movement 30 years later. So I've been doing it for a long time. This movement or that movement, I've been doing it. People fall down when I do it, I throw them, it quote unquote works, but I sometimes just get a new insight.
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Oh. Maybe it's supposed to be like that. Oh, if I put my if I move my wrist like that, then moves. He moves differently. My partner moves differently, things like that. So don't worry if you've got some deep insights right now. It will be built layer by layer by layer by layer. These earlier experiences, they come out later and you go, oh wow, is that what that teacher was doing five years ago?
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Whatever. So nothing is wasted except the stuff that needs to be wasted. In other words, again, you're like a filter. Like a net. Stuff comes in, stuff goes out, and sometimes you do lose some of the good stuff. Then you go to the dojo again and you train with a person, different person maybe, and they reinforce that one of the things that you lost, one of the good things that you lost before, so it comes back in and then maybe it sticks a little bit longer.
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This time. You keep a hold of that for a week or two. Don't keep it here. Let your body keep it. I mean, I should clarify of course it's good to keep some stuff here. You know, I have a student right now who,
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we've been working ever since she started aikido. I've been working at getting her to to keep her shoulders down, which is easier said than done, especially.
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She's kind of a small person. So eventually she developed some shoulder pain. So now she has new incentive to keep her shoulders down. Should be doing this. And I know that she's in pain. And I say shoulders down, boom. They go right down immediately.
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Each time she practices, she gets a little bit better at,
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executing this or maintaining this instead of going up like that. So she does need to
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remind herself to keep her shoulders down. Okay. So of course. Yeah. Remind yourself of some things. But
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if you don't have a deep grasp
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On the principle behind a certain technique, don't worry about it for now, because
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We want these techniques to be as smooth as reflex. In conclusion, you're not late. You're right on time. So keep training, keep getting to the dojo. Speaking of training, if you'd like to train with me in person, I'll be teaching in Taiwan and Japan and Orange County in March 2026. Orange County, California. That's the first weekend of March.
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And then, the I think third weekend, the 20th and the 21st, if I've got my dates correct in, Taiwan,
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Taipei and Kaohsung if I have the pronunciation correct. And then the following weekend, the final weekend of March, I'll be teaching in Kumamoto, Japan. And I'm hoping that the timing matches up with cherry blossom season. So if you if you're if you'd like to join me, just send a message.
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Put in the comments section here in under this video,
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for me to give you some information and I'll send it along. Thanks so much for tuning in and I'll see you again next week. Bye bye.