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Softness in Aikido is so often misunderstood. Today, I want to go over what makes Aikido feel soft without being weak.
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First of all, softness is responsiveness. So it's the it gives us the ability to change the ability to receive, the ability to adapt. So if our body is soft, we pick up more information from our partner. And the mind can relax more when the body's soft.
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when the partner comes up to us and grabs our wrist for example,
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if they're leaning one way or another, if we're soft and we're not tight in our joints, we'll have more chance of picking up that information other leaning just ever so slightly to the outside. And that helps us that informs our next movement, doesn't it?
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when we get to a certain level of aikido, we see the variations within the classical movements. So somebody comes, let's say somebody comes at you with, men tsuki right? A punch to the face. men tsuki. And when we first learn Aikido, men tsukik is men tsuki, but later after who've been doing aikido for a while, I had a student recently kind of go like this.
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And so it was a whole different thing. And it felt like yokomen uchi while they were coming in. And then if imagine if
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I throw a punch at the camera, but I'm leaning a little bit. If you lose, you can feel that if you're tight, there's a chance that you might miss that information.
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And if I'm leaning a little bit, then you can adapt kotegaeshi for example, you can adapt your kotegaeshi just a little bit
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to make the throw easier.
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Hey sorry to interrupt the video, but some of you have been asking how you can get a copy of my book. The teacher. The book includes a wide range of topics, including from horseback riding to budo, the Japan experience and returning home building intuition, attracting new students to aikido, aikido and nonviolence. Leading by example women in Aikido. Arrogance.
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Saying no to homogenization in aikido, Aikido and distance teaching, body alignment and more and more. So if you haven't purchased a copy of the book and you would like to just head to lia-suzuki.com/book or use
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the link in the YouTube description below. It's available in English and it's even available in Italian. Actually, that's just on Amazon.
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And the book has. Let me show you a little bit of this book.
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a photo of me, when I first started, can you see it as it's showing up
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Some photos of my teacher, Takeda Shihan
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my first teacher,
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Bill Gleason sensei, in Boston. And, some of you might
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recognize. That's Gary Small sensei taking ukemi there.
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more casual setting with myself and Takeda Shihan back in the 80s. Hence the crazy hair. Another one of my favorite photos of Takeda Shihan.
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one of my favorite photos of Yamaguchi sensei.
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There I am, teaching a seminar at my dojo in Hollywood.
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Just a regular photo shoot, actually, from a regular class.
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Teaching in Hollywood dojo.
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Oh. Wow.
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my friend, Brandon Ishisaka sensei. I believe that's me training with his daughter, who now I think is, like 16 years old. Anyway, she's super cute, And she's doing great.
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She's still training.
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if you haven't gotten the book and you'd like to get one, just look in the description below this video and there's a link there that you can click on to order your copy. Now let's get back to the video.
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Analyze it later.
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staying loose
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helps us
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pick up information, whether it's by touch or by seeing. And then it helps us to adapt. If you're tight, then it's hard to change to to a different movement.
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And if you've been training for a while, you know that sometimes it's really helpful and appropriate
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to change to maybe even a different technique change to a different variation of the technique that you were going to do, or change to a whole different technique. Because the situation, demands that.
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The problem, though, comes when people throw away the structure.
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And oftentimes, oftentimes softness is confused with laziness, frankly. So
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you have to work even harder to maintain the structure
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if you're going to be soft. What I see a lot of times is people not grounding themselves. They stand up, their knees don't bend anymore. They're like, oh, we're doing it this off style. Now I can relax. No, you need to really, really maintain your alignment.
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You need to stay low and connected to the ground more so that you can have a stable center.
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The looseness without the center is.
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I was going to say it's just dance, but it's not even good dance,
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right? If you do paired dancing, then that's also a center to center connection. So there has to be some center. You can't just be empty.
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you lose your center. And so if you can keep this looseness here and in your knees, your lower back, and yet still have a stable center, then this is really something. This way you can organize your movement and you can
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avoid getting pulled over and you can avoid, injury as well.
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The third point that I want to go into softness develops through experience.
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A friend of mine, Thomas Crystal sensei, is, six done and Aikido and he's also a retired AI professor. So it's fascinating to hear about how the body learns and what happens with repetition.
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what I've learned from him is that the the more repetition you have, the more times you you repeat certain movements, the fewer and fewer neurons are involved in making that movement.
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And a professional athlete for certain movements will just require finally, one neuron to do that movement. At first there are more neurons involved, but it becomes fewer and fewer and fewer.
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the fewer neurons that are involved in movement, the more smooth that movement is. So
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looseness, repeated over and over with a stable center.
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You this is really, really going to benefit you. When you're loose, everything becomes more efficient, and it's harder for your partner to find how to resist against you.
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if you're tight, your partner knows exactly where that tension is.
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If you've been watching my videos, you've probably noticed that I sometimes use Shoto or Shortsword. I find that it helps students drop their shoulders, stop pushing and really feel the technique.
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Right now I have a limited number of these Lia Suzuki Signature Shoto available. They're made in Japan from premium Japanese white oak. They're engraved with my signature, and they're really beautifully balanced. Because of the lumber shortage in Japan. I was only able to get a small batch of them. So once these are gone, that's it for the time being.
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So if you'd like one, click the link below to reserve yours during the checkout process. You'll be prompted to let me know which seminar you'll attend, and then I'll bring it right to you. Now let's get back to the video.
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If you're loose, they can't find it.
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to develop this, we need to repeat it over and over and over and over, just continually doing the technique. Of course, you want to refine as you go.
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If your teacher tells you, like put your hips forward more when you do it, then put your hips forward more. Of course, we want to make it more intelligent all the time, but but repetition and experience are what help to create this softness because we're using fewer and fewer neurons.
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imitate your sensei, then listen to the pointers from for me.
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By the way, I send messages to people around the room because this is what my sensei has always done for me. I be training with somebody, and I try to always have sensei in the corner of my eye. A lot of times we look at our wrists and we look at the tatami when our partner falls down.
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I was trying to keep my head like this and and watch my partner, but then always like, where is sensei? And sometimes I would catch his eye from the other side of the dojo and and
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he would see that I caught his eye and he'd go, and I go, oh, yeah, shoulders, shoulders. Okay. Right.
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imitate your sensei, and then be available and receptive to the corrections from your sensei.
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Don't worry so much about the analytical explanations, because that takes you back into your head. Sometimes stops all the movement. Oh, let's stop and discuss this. No. Keep going.
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You'll be able to feel your partner better if you work on being loose. In conclusion, softness is strength. Without the tension, that's all it is.
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If you want to really work on this, seminars are a great way to do it because you take yourself out of your comfort zone, especially if you go to a seminar of a different group. So and train with different people. If you go with your friends from your dojo, please don't just train with your friends from your dojo.
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Try to train with the other people that you've never trained with before. Put yourself out of your comfort zone and try to remain soft while you're training with them.
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Speaking of
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seminars, I'll be teaching this coming weekend in Kumamoto, Japan. It's the 27th through the 29th and there's a few different teachers, so come join us.
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It's a beautiful area. I'm hoping that we'll be able to see some sakura, some, cherry blossoms. It's right around that time that that could happen. Then
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in June, I'll be in Wexford, Ireland. And I'll also be in the UK in a town called Marple. I hope you can join me there if you, especially if you live in the area, come join us.
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And then in by the way, at the end of May, I'll have a seminar at my dojo in Los Angeles with, Ikeda Sheehan, Bruno Gonzalez sensei, and myself. It's a four day seminar. Then in July, I'll have a five day camp at my dojo in Los Angeles. That'll be just me teaching and maybe 1 or 2 other members of Archi USA.
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It's a big event. It's the 30th anniversary of Aikido Kankakee International USA archives. It's the organization that I founded when I came back from Japan 30 years ago. So please join us for any or all of these. And then in September, I'll be in some different cities in Germany. October is, first weekend of October, I'll be in Montana, and the second weekend of October I'll be in Redlands, California with Jet and Prakash Sensei.
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So I hope to train with you somewhere at some point. And in the meantime, please keep training and please try to loosen up. Leave a comment in the comments section and let me know how it feels to really focus on being loose during your classes. Thanks so much for tuning in and I hope to train together soon. Bye bye!